They look adjacent but the briefs couldn't be more different. Editorial asks for your point of view. Commercial asks for the client's.
On an editorial shoot, the magazine hires you because of how you see. They're renting your taste. The more distinctly yours the work looks, the better. Show up with opinions. Push back on the concept if you disagree.
On a commercial shoot, the brand has a mood board and a brand book. They hired you to execute, not to deviate. Your job is to make what they already imagined look better than they imagined it. Save the personal work for your own time.
The mistake most photographers make is running the two playbooks in the wrong direction — being too obedient on editorial, and too precious on commercial. Watch for which side of the line you naturally fall on, then practice the other one.